I recommend reading these texts in the dead of night, when the brain starts trying to escape the everyday and opens its doors to the surreal. In keeping with this extra-ordinary atmosphere, I suggest reading while seated in a barber’s chair perched atop a giant snail that, having nothing better to do, slowly crosses a desert—a desert which, from a certain angle, appears to be the back of a woman.

If, for any reason, you lack the snail, the woman, or the barber’s chair, an ordinary room will do—though I strongly advise choosing one far from the kitchen, and even farther from reality. You may enjoy a drink while reading, but I don’t recommend anything fizzy. As we all know, bubbles are distracting, and the reader must devote 100% of their attention not only to following what’s happening, but to conjuring the images the text invites you to build.

EL OJO QUE SEÑALA

The Pointing Eye” is a surreal comedy that follows the wild odyssey of an ad man and a lawyer who are forced to take a road trip with a dead body — with the goal of turning him into a celebrity. Drawing from pop surrealism, the play playfully questions the pursuit of fame as an end in itself, and challenges the dominance of image over substance.
Despite the big ideas it tackles, the story is clear, concrete, and driven by entertainment. What starts out absurd slowly begins to make perfect sense as the plot unfolds. A publicist and a lawyer on a mission to make a corpse famous — in a world where fame and appearance matter more than anything. As surreal as it sounds... and maybe just as real.

LA MICRO SUPERPOBLACIÓN DE ANTÓN

Antón is such a sedentary man that an entire city has grown on his body — turning him overnight into what others call a freak. But that’s not the part that bothers him. The real problem is that a group of religious fanatics want to kill him to set an example for the youth; two rival political parties are fighting over who gets to execute him publicly for maximum campaign benefit; and the media has made him their latest obsession, branding him the monster of the week. Set in the middle of a brutal election season, Antón has just three days to stay alive in a city where everyone wants him dead — all while carrying another city on his back that’s slowly killing him from the inside out. What could possibly go wrong?

LOS AUTOILUMINADOS

The play opens at what seems to be the end: three people in a car, stuck on the tracks, are hit by a train—and everything shatters. What follows is their desperate, often absurd attempt to piece themselves back together… even though some of the pieces might not belong to them. This dark comedy leans heavily into black humor, inviting the audience to laugh while sinking into a surreal, shadowy world where nothing is quite as it seems—and wholeness might be more dangerous than brokenness.

DISECCIÓN
The best way to get to kno a person is in parts

"Dissection” stays in line with the comedic tone of the previous works and tells the story of an anatomist, his mother, and a living corpse as they flee Poland during the German invasion.

ONIRIA

The play is composed of a succession of delirious dreams that a child has when he sees his
parents fighting the night